I am a proud recipient of a 2012 Alternative Exposure grant
from San Francisco's visual arts nonprofit Southern Exposure
in support of n/a : an emergent art space for the Bay Area
queer community opening later in the spring, 2013.
Meet all the grantees tonight at Southern Exposure
6-8pm 3030 20th St San Franisco
January 23, 2013
January 17, 2013
f a u s t
saturday the 19th i participated in small press traffic's poet's theatre,
a festival of avant-garde plays by poets. i performed a small role in
In A Word, Faust, written by ish klein and directed by kevin killian.
the event was held at counterPULSE. X
January 10, 2013
a n o t h e r n e w y e a r
The Forest
At night
under the trees
the black snake
jellies forward
rubbing
roughly
the stems of the bloodroot,
the yellow leaves,
little boulders of bark,
to take off
the old life.
I don’t know
if he knows what is happening.
I don’t know
if he knows
it will work.
In the distance
the moon and the stars
give a little light.
In the distance
the owl cries out.
under the trees
the black snake
jellies forward
rubbing
roughly
the stems of the bloodroot,
the yellow leaves,
little boulders of bark,
to take off
the old life.
I don’t know
if he knows what is happening.
I don’t know
if he knows
it will work.
In the distance
the moon and the stars
give a little light.
In the distance
the owl cries out.
In the distance
the owl cries out.
The snake knows
these are the owl’s woods,
these are the woods of death,
these are the woods of hardship
where you crawl and crawl,
where you live in the husks of trees,
where you lie on the wild twigs
and they cannot bear your weight,
where life has no purpose
and is neither civil nor intelligent.
the owl cries out.
The snake knows
these are the owl’s woods,
these are the woods of death,
these are the woods of hardship
where you crawl and crawl,
where you live in the husks of trees,
where you lie on the wild twigs
and they cannot bear your weight,
where life has no purpose
and is neither civil nor intelligent.
Where life has no purpose,
and is neither civil nor intelligent,
it begins
to rain,
it begins
to smell like the bodies
of flowers.
At the back of the neck
the old skin splits.
The snake shivers but does not hesitate.
He inches forward.
He begins to bleed through
like satin.
and is neither civil nor intelligent,
it begins
to rain,
it begins
to smell like the bodies
of flowers.
At the back of the neck
the old skin splits.
The snake shivers but does not hesitate.
He inches forward.
He begins to bleed through
like satin.
Mary Oliver
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