There is such a variety of display, activity and people, it's difficult to choose subjects to settle on, although inevitably, everyone gets drawn to the horse rings. It's fine to draw them in their stalls, but you can only do so many studies of horse bums and legs. It's something else entirely to try to capture them in motion. Thanks to Vilppu, Stanchfield, Muybridge and many many anatomy books for their insight into what's going on. Nothing's like careful observation though, and long hours of struggling and struggling and struggling. So many bad drawings can only inevitably reward... with an apple dumpling.
Puts Spirit: Stallion of the Cimmaron in perspective (as well as Degas).
First, a lady and horse dressed in Native American getup;
Clydesdales (I think) gussied up for pulling wagons;
a page of cows & horses being positioned for judging